I guess, like, the whole thing with music is - you're a little bit in control but not fully in control. Which is kind of the fun of it.

It's even exhausting for me to think about remixes because there were so many Miike Snow remixes.

I used to produce this band, Dragons of Zynth. There's something about their live shows, which, to me, is ultimate. I mean, you feel like somebody could get hurt when you go see them live.

I've been studying on my own. I'm not really trained. I went to school for about a year and a half. I never really studied music, but, I mean, I did. I studied for two years, maybe.

There are too many things to count that I like about London.

We just did a bunch of songs, and there was a lot of enthusiasm for the songs that we made. We didn't feel like we had to do Miike Snow. We just did it because, I mean, I guess we felt like it would be a bit of a shame to leave it where we left it.

I'm not going to get into details, but every band has their moments when things are tough. Just logistically, tough on your body, stress levels, psychologically tough, relationships can be tough.

"My Trigger" is the best combination of song and track. "Heart Is Full" is maybe the best song we've done as a song, and that's why we try to play it in different ways, too, because I think for a lot of people the track was a bit distracting from the song.

I think a "song" is, like, just play it on the guitar and sing it. You look out and see thousands of covers of "Animal" for example, so you think, "That was probably a pretty good song, because people feel like it's satisfying to just play it with one instrument accompanying it."

There are other tracks that are more reliant upon the beat. Like nobody's going to sit there and play "Harlem Shake" on the guitar!